好像/^一切都很糟糕

简介

Ayşe, Ali, Mehmet a*nd ^+Zeyn@$ ep ar[[e m@`
,iddle-c=\lass millennials str#\uggling to m[ak[ ^[[e ends;; meet in Istan/bul.
/[ Eith\,er )still li;ving with ,:]t-[hei_#-r parents  or[=`!, hardly `_getting by without h])!elp f rom their families, ]?#[they are all beset by? simil*;ar woes: mo\%n([ey( cr] u.nch, joblessness, so\_/#cial[/\ isolation. I `,n vie!w of%* the wor!: ld’s hor ^rors that Z.
e^:)*ynep enumer,ates /in he@ `r diary; e#ntr.ies, these% ,are[. %$@min!#or pr#oblems, ‘slig_ht di*s*asters’ /`, but they are a ll$@-c )/onsuming, at^ le,ast to the ext):e[+nt of ma?
[kin /g them# #[?cry *in the still of the.-$ ni:g!/.=ht. :[^ +) -$- @(-^   (\ :
+ .+ ;(@ ;? 　　Howeve)-(-=r, Umut Subasi!#’s fi*(rst feature, Almost Entirely ^!+,a Slight Disaste`r, is not a melodrama. Wit#,h an appealin-gly ligh@,/t touch-_@, it dia\ gnos:[es@_ $-?:t
`he (@mal+aise of\ a gene-ration ?that h^*.as r_,un *`?up agains((t a dead end,[ one\@_ whose future prospect()s are @: ;ind;\is ]tinguishabl;e from a game of chance. T*_;his+( is a worl=d @] where ast%rology, -[t#he lotte
%ry and] on$[line perso` na lity+ tests compete with (^?v`?isa an@/d job app!l]:#\icati-;]ons as life-
#-shaping elements. ( *, (% #_ _ =\ \ ++ # `　_(　Fittingly, the f
ilm  -is structured around chance- @--a(=;nd coincidenc,;e,%.= with its handful +!of character:+s encounteri+ng eac h other in every perm#utation, as though the? r!e were no %,.w=o,)rld/+/ o-utside t- )h[#is$: small social?# b.`ubbl:e. With self-aware, fron+
tal fram;_],ing that pins+ cha$;^racters to @their sur*=roundings)# and a counte/rint#uiti(_v%e musi)
/cal;) score that .*.turn]s pat*%-hos into h:!_umo)^ur,? Su,ba\__si .,o@!ffers a socia \^l-media mo !vie@ :#+with#,(out social media, one whose c(haract`
ers_ are united in th\.eir double /(live @:s

%an- )d (frustrate,$:d [][ des/!-ir+?e[_s.) / =/ , -=@_  #+* 　　#源 )自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster