从今天 到明天

简介

　　Based on an unknown * Schö
n/^berg opera from 192
9^) `, From To!day Unt(il Tomorrow explor#*?es one night @in a**_% %]no$.-t\@-+=]q^#u,ite lovel;)ess marriage. A husband` and! wif_e[(;/ retur),-n from a part%
y where sh`*e has f-li(`rted `wit:?h ano t+:,?her man, w (hil;=:e he has @cast an apprais? ing #e*ye t)oward a;n attra/;ct`iv%! e, fashionably/? :d ressed ac qu [?,aintance *=of his wif-e’s. Thou??gh each/ d\\ reams, brie\/:fly?@, of[ l-/\eaving the marriage
!fo-r the$ /% excitem@.ent and mys$-tery[ of a ne
;w ;:)lo!ve*r, in t@]he end they decide =@`s]t]!]ab(=il +:ity an*[ d comfort ar.+e m:ore]- im -portant `!than the fl,-eeting thrill ,of new romance. Directo@rs Je#:an?-Mar/`(ie Stra,).ub an/
d Danièle H^:u[-illet, who previously collab+ o\^rated on two other films-# $@+abou`@t musi/c (The Chronicle [ of An*@na Ma,%_:gdale),na Ba ? ch, 1968, and Moses an^!$d A)-aron, 1975)]:, rely ..o)n long+ f*$ix?,ed shots-/* in austere _*black-
[an d-white so -that^$ the focus remai.
ns on )the musical brilliance of Schönberg’ s atonal sc`ore, per^for+]med *$*her)
\\e by 70 \+mus/icians.%*. That Schönberg would ch#$oose su*@+c?h a re,!la@*ti-;.vely lightheart+ed messa]
+ge for his ne#wly discove^red m#)u+!s(?ical la^!n,gu `(ag]e remains ?$@a``_ myst\ery, especially
`si n!\c+e)#% the ; +:c@%\onc%; lusi\on reach.ed by$ \ the husband and 
@wi^fe—to) stick with the trie__?]d and  #.true—seems directly at] odd s with . Sch ön!
berg’s own philosophy of composing. It  is just this juxt=*aposition, h`/owever,  (coupled with
?; !Straub[ and Huillet’s f/=ai#$``t(_?hful[(, pres)en`/tatio(] n, that makes t ,he oper
`a a c[=o^/mpelling add+i]$)tion to the ;.!Schönberg c(anon—a^nd t$he fil=
m such a challengin
g and intriguing]/: exp(;*erience.