外星@*\恶客

外星@*\恶客

1958年·美国·HD
观看18,738

简介

  !;_Out of the fift\.ies &%#39B' ;Sc%_ie#nce-Fict`#ion m=;$ onster-@ m! ) ovies, this$% eas $$il@y ra(:_n:ks ;_as the best ; . It\, 9s most notable a#s the film ;,tha ^t A_)!LIEN `[=is a`%n unaccr!edite-d remake !+o)f,), thus giving *it a ce/]rtai[n% his^t;?orical significance+.  The intriguing plot -.is about the@] rescue -$@of th.e only marooned surv ivor : (Col. Carruthers) of an ill-fated e;xpe$^d iti!\on t%o Mars. T\,he au: /thoriti`es, pig-headed as usual, falsely assume -t:hat@ he mu(@r^@dered` his f e)llo w*: c#r:#ew_ m^@embers, :_s(o )] that /!he'd [have more prov_^isions to survive hence he is b-)[e- ing bro^ught back [#to /.]E:* arth to face court-martia*l for @murder. (There is!=% $?also a somewhat interesting plot reversal, her()e: Most movies of this na:ture.`;@ usuall)#y begin#, with the [s *\hip leaving Ea)-!rth\, \enr\]oute to it!*s oth.@)erworld destinat,,ion,#$ while, i(?n th/is/$^_ case%%, th@.$e "story" is believe-d f)=inished, a[/(nd begins. as th;#e characte )rs tak\+e-of)f from the other.: pla.(net,#-) return@%=ing-?^ .to Earth).. As the rescue ship is leaving Mars, a ?lurking, ominou+!s shado;(w is seen /in the =lower com[:partm`.ent. (A frig@htening, atmospheric$_ moment]), , accom#p\lished thro.u gh\ sheer economy !an.,#d; simpli_%ci^=\ty).  $/Carruthers insis!ts of his? inno%(c;_ence to![ his fellow cap((to-rs, .;claiming that his ?\or i*ginal cre/?w mat.`es were slaughtered by a hostile, uns,een pre-/%senc^e on t*^he desol_ ute re@@d planet, but% t,`(_hr( ee*-#[guesses, as to $their reac -tio#n to[ his unusual plea. *Natura?lly, he c//an't prove i@t@$!, and 50's sp ]ace authorities [.*were not ]very alien cons#=cience@ at the time. (As.# a side-$thoug$;ht, &quo`: tunseen men ace" may remind)/ you o@%-`f t#[-hat :,@highly &quoto=riginal" BLA @IR W.ITCH).  As everyone +sacks out,%] a$(? h# @aple@;+ss( su-.!pporting [-charactor whose na#.me is at the bot#;*=tom of the_) cast_=#ing . l# -]_ist (gues s what will ha#ppen +[)to him?) hea rs so!:me:=[?thing in t#!he%, low];\er c*ompartm.e!nt. D)/?espite your )futi) .@le &quo\_td+.on't +go down t\%here, you j?@e]_rk!![" plea$[s, #+he does just that, and is:!+ a/ppr@@ opriate!ly`[, $ killed ()[mor$e like th*orough  l;y oblit?er!_ated) , by the shadowy figure+ \ ).w-@ith in:)*(satiable blood lu;/s,t on its  mind. In t%=;he %$vi\;ctim's case, dere;liction of duty _a(nd$  )sheer coward l,:iness /!wou,@`:ld have be:))en% t;/$ he+ wis-?e d? +ecision. The scene i*s ac=/tually well-di%+r-/ected (for a c\hang/=e=!)) and develops much su`)$ spense, as ))_$the!^? entire fil^ m ?:_surprisingly/) d*\oe s. * The crew finally catches on/\ t%hat they ]\ have an unw*a@nted$+* ship*+ cra _s`h+- er on board, and tr% y every possi[%+ble means a? /t =their disposal to eliminate . ;it,+* but t`$?he ^=unknown crea%ture seems!$ to cop,p--ing an ant%i-death! attitud;e. Proving t# %o be an even more ?clever,= w^@#orthy adversary, &#,$3@[9?IT!&*_#39 ]a*$^;lso hides@ out in the venti`lati%on shafts of the s*?hip (/n/;ow that sh= .ould r_)ing a b;*ell ).: C!;ahn's fo]$r: cef%ul direction g* ene rates consi [derab+le ten:`$sion as the malevolent s:tow;.)aw ?=ay wor =ks its way up  from o_!`n)e -:leve=:(l of the confined ship .=/to the ;next(+ , eventual ^;ly )%:;lea ving the r%emaini._@?n!g*// characte rs trapped! at t#(*he top. T/he movie+ 9s-.( suspense is [` blunt and right--\ to the point:_?+ &quo^#tI;=T!&%+\#3:;9 has to] k*/ill ]them @or s) tarve, h*`e+)nce )th e(;y have to kill- &q=uotIT!"# or `! die. Nothing_] lik:!e those &qu];ot//no two ways]. (?about ,_it" choic#es. Rent it,%) or check for it on cable if=@^ you wish to know the ou`tco(%me.  For)^ a low?-/-budget#\\ quickie, $IT! # is quite im\-p?;-ress@ive and memo% rable. The dreaded se^nse of? claustrophobic tens/io]-@n, r*endering t ;he charac;#t_ e$:+rs# ,&#%39 ; helpless e..?ntrapment, is hig*hly effec*tive. Th;is is ]a p`\r$%odu$ction i:n whi:(#ch the limited budget  a(+nd\ small set=s [[actually work %\/i,^n fa?vor of= the plot%9s(% scary am.bience. T-.[he bla] ck ) white (#=photography (Ye $s, i`*]t!&##!3]@9^+s( *one  of those!) help;s to enhance its %dark, creepy m*:*ood, an^d the sense of apprehension is; quite( high=#@. ((Mod+*ern day color f:r,::(e.aks $never seem to take t/ hat )*;into consid`)er[\!ation). Th/e plot /is al`+ s\o  somewh-at cynical+ly ir)++on !!)ic: If the crea `tu!re h@+`adn't stowed?% + away on) t$.he ship, Ca*-\rruthe [rs woul(d ha\ve _@mos=(#t likely#%$ be!]! ?en\\ found guilty of the charges $a][ga\!in st hi m.  The intell  i#$gent sc^ ript (se;+/e what I `mean about /&q@!uot-)rareity&quo]%t) was penned by noted Science--(Fiction author Jerom=:e Bixb%y (remember Tw_/ilig*ht Zone&:/#39s "It_;9:`/s a :Goo,+d Life& q:uot)? ,]T)he @\ picture's\#^ tau^+t editing eliminates:_`. a)ny extr^^ane \ ou ; s dros@s. (ALIEN,= tended to drag ;in its first hour / with# :its sophomor@%@ic /dialogue/, and w [[hy did i?!)t h@*ave to [-in_clude )[that s(tupid and ultima te_$)ly c[ounter-p/roductive sub-plot of _ Ash being a r obot, and  fu/, rther drag)@g:?;$i-ng the __story d`#ow^n to an(.other $bi[*g ba$:d consp),=ira.]cy c$`!lich$^`-e? UNNECESSARY!!;\!)  Direc;tor Cahn,=\ astut@#ely kee/.ps the !(rubbe-r-suit`=e!d monst=er off-screen @ ,and :in:![ th]:e,-? shadows thr\ough-o\!+-ut mo!)st of=: the p_% \roce )ed]?ings, keeping your  p+`=ar#an?o% i?d`` imagination ]/on constant alert. Unfortuna:]te\l y, perh$/a]ps at the studi+o's@/## commerc[ial \^`insist*)^ance, it is a li(ttle over-[=?re%vealed at the climax*], but I haven-`'t claimed this to be the perfect @ =masterpiece. [T-he perfo\$%.rm `ances,![$ thoug$h nothi/ng award-winning, are nevertheless cool^ enou(!:*gh so t[hat one be.comes since#rely conc$erned a`$`?s to;; thei;r fa@$_te? s. Not(? m:;any-@ movies in recent times ever come clo[se to achie?*.ving that. They ca=! n be over-produ`\c$\ed.! from h#)@ere to eternity, and usually only succeed in be\ing gloriously annoying.  This film&#\39s .%$st!\ory is not really^ t=:`otally?-% origi:;nal (what is?),= for it is based on A.E([. Va,n Vog)t%&#=_39s^]# "VOYAGE- !OF  !THE:$*: ;!S%? PACE _] BEAGL;E." Al*l ALIE@;N! !?((fa] nat,= ic)[s should track down#/ an old used copy to se e where the %;++initia* l influence \;@cam` +e from.  As long a_:s you're not  cr]aving! another CGI%$ wind-ding_\, you] . may find= it wor^+^thwhil(_e:.. Just don't exp)ect the wo)_??men to  be Rip]ley precu+_rsors. This wa_s \still the#_ so+ck-knitti;n],(g fi^-fties, sad to sa^+y.

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