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简介
The subtit.= ](le of * *])J$ea^ n-Mari[e% St[raub and D$] ani; èl] #\e Huillet’s first f-=e\ature, from 196!5, “On/ly Viol ,`enc\e Helps Where Violen[ce Reigns+-,)(” suggest* s th!$@e fi[:`erce pol#itical pro`;gr am=# [;evok]ed by their rigorous a:!.esthet ic. The #+:pre#\tex#:t o=f th!e film, set ^]in Cologne, is Heinrich Böll’s^ novel “+Billiards at H alf P:.),ast ` Ni ne,” which they + (@strip down to a hand%[%ful o+;@_f); stark/ e %ven *=ts and: fil( m with a confro ^ntati$% #onal angularity akin to Bar tók’s mu]= sic th[%=:at a#+d@ orns the s@/oun#dtrack. T he subtlest of cues acco mp any .^;the` sto [!ry’s _ c^]ompl =ex ?%flashbacks. The midd le-aged Robert Fähme) \]`l tells ,:)_ a y -oun$ ;g hot.% el bellhop _$of p _ersecu [t *ions under t;he Third R [ eich ) his e]lderly father, He inrich,-) a :) n arc^(^h=itec[;t ]; famed)= for a lo; ]cal ab@ bey, reca\]+lls t -*he militaris_`/$m of the First World W( ar, whe ))n `:/*his wife ,... Jo*- hanna, _:inc$ ?_urred t. rouble f- \or insulti)$ng the Kaiser. A third-generati^+on Fähme!?l is considerin: g archite _c#ture,^* j ust @* =as ;^ th^).e exiled brot^;her of /Rober% t’s - late wife, returns, + on?%.l_==y\^ =to be met by #^ =#their f(- o )rmer torture#r, no ; w a West ;* German of]$ficial[ t,; a $=k +?ing @ part`#* !in a celeb#[r%+,a.tory = ] parade of wa!%r]]! ( veterans ,). Straub ^ and Huillet make$$ the l. ayers of history li %?`ve/_$ in the present tens; e, - w#!hich they judge sever,ely. The tamped-do(!w[/n#;`_) -: =acting a nd the spare, tense visual=[ , rhetor =ic sugge$,st :a s tate of moral crisis as:# w%@ell __ as the response—as @much in style as in ` *+substa+ nce—that *:it (@ de \mand %s.