不安分的年轻人们

简介

　　Middle class student Bob Letellier enters a_ new world when h-e me(`+ets Alain, a free-t.`hin@king rebel who, a? long- with his g+$[roup o*\f you[=_ng Par
is^ians, has opt+ed for a@ life of instant gratificati, _
on i.#ns^ tead of !work ](+*and c)%omm%/itment. At ^
a party, Bob meets a young wo$;=ma n,\ M@=:ic, wh(:o appe
#ars to be just as ^carefre =e and *% cynical :  as Alain. ]Mic&( ]#39s only drea*,m is
? t[!o own =a@ )#]luxu,:$ry car, a$nd wi*;)th Bob's :he $@[l[]`p, she %!manages@+ to find the money to but it. Mic's fri% end Clo =#di`/scovers she i!-s pr(egnant and, not k`nowing\#@ who the: f_$athe^?r i$s?_], sh/*e@[ as:ks Bob to m arry her. When they next meet \#at a party,[]; Bo* @#b and`% ` Mic];. d $!eny tha[_t they have any fe]$(eling *s for o@)ne (-another - 
a d?ecl-aratio /_n that  (soon =lead+s to @tragedy...　　　　Mar)`ce-;@l=\ :.Carné i-?=s widely]*- reg/$/arded as one of the standard _)beare$= r*s*
of Fren]ch quality cin\^em\?a of the$: 1930s and 194:;0s, _+responsi\%ble for such masterp[:)ieces as Quai des brumes(( -(193)$-8) ? an`$d +]Les Enfants du Paradis (1945). Ho;*[w iron?ic@\ th
@en that, in%% (1958, tow!^ards the end of h
\is +.film-making ca
r$ee (r, he should make a film whi ch dared to portray//, t
(@#he at#=titud$\es and; behavi]ou-_;r of the 1950s *youth, i
=-n a w/ ay that\ -#effe?^ctively c .\apture;s the moo$d   and sentiment of - the _\((?time.　　　　L_ es Tricheur* s was a
@` h #ugely! \%co_ntroversial film, not least bec%_+ause of i;\ts blatan% $t depi)[!ctio:._n o.%f adol/-escen t free$]-lo-ve, a?nd wa!s +!)even bann$ ed in ).so`[me regions of France:. It;:` a$@[(:lso rece/ived`! some in@_ten[sely ;(; unfavou :;rable r,=(eviews.^- @, most not%ab%ly from t * he you+ng
h^^o?-%t !h!ead` ,[s  on t-)[[he Cahiers d_u cinéma suc=h ]as F#*$ranço[=is ;
[_Tr:uffaut @=?wh!,o cited ,this::\ film as a p -;]rime example  ,of th`(e:`^ decline of French cinema# into medi_/oc r:\i:t]y.* In =^]spit_e of@(  all thi
$`s neg` )ative press, the_ film proved t`o be an aston$;is,#h*^in,(!g co-(mmercia=*l su?]
cce ss*]*=, attrac;
ting ];five million,@ cinema-goers,_ and= was aw[:,arded the Gran[-
(d Prix d/\u 
Ci]! ném[!a français in 19%@5
@8.　 .　 *　*\　Whilst Les T ri[,/cheurs is -/not as: flawless as Carné=&+[_#39s: e@#[arlier masterpie%c-^;es, i;]:t\ is nonethe `.less a sig
nifi:cant wo\ rk, ha.ving the ];po$ . wer# to: both sho]ck .%and mov!e its  $[a, ud*`(ience, whilst havi%ng( gr=eat ente:-,rtainment valu[

e. It evokes t/,he`% mood^%.; of its
=` t)ime (_in a way tha=t few Fr+ench -\ fi$lms of th?/@is =(-period did, dep icting# y. o#)u:] ng people  a%(s pleasure-seeking r_:=$-ebels, rejecting /th. e austerity\,? and d is-._cipline of : the\)] prev@ious ge)!
neration wh^[%il$)^st pursuing a life , wi(thout cares, respons/!ibiliti[+es or love. Similarities?[) )
;with James Dean's f!%ilms( of `the ^ 1950s (most notably Rebel without a Cause) are appa !rent, although/ C,%arné_@/9s treatment of young p[*]eop/@=le is fa_
r mor%e ab!(/stract -.,` in) h -;is fil. m they m\%`ere^]ly ;symbolise a world that ?;has lost its wa!y, more or less victims o!f post-war prosperi.?ty. Al ) th ough the young :##
peo)@ple i!]n Les :.,,Trich.: eurs lac;k th\e authen[-ticity to be\/(@ t
-otally cr!-e dibl_e, th).]e film^  does= make an impor%tan)[t, and ind+=eed quit[`e di%)stur^:bing .@)p`oint, abo !ut where`)
?:th! e permis_
sive society may be heading.+=　　!　　Much of the ple--a )sure o`(\f the fi ?^ lm is in the ?perf* ormances +@fro.m it@s four lead a*?ct#=ors, Jacques C( harrier, Pascale Petit, Laur.=ent [ (%?Terz;_ieff\?@ and An*\dréa(; Parisy, althoug+h o`=nly Terzieff :  ?.is rea
[lly convi)+!ncing in his role. @!Marcel Car!né \original:,ly ?`co=# nsidere*]d )Alain Delon *a@[_;nd Jean-Pau@^l Bel;]mo- ndo.:$ fo@-r the;[ par[;-ts of _]Bob and Al)ain res:[p. ectively[,!+  befor*e o\?pt_ing -\fo^r ^Ch+ar=*rie(:*r% and T?#erzieff. As a conso @l)$ati
on, Carné offe \@red Bel_mond o a :(sm?aller par,t`), in t,*he film - ala:s too small for the acto@;[r to be no*$_ti,
+ced by the public. B!- elmo;,nd_#;o's breakth,r.*_oug. h ha%,d , to wait until the `)following year wh::%en he starred i[ n Jean-Luc Godard&# _39s revolutio-/na*ry A bout:/ *de souffle,! a f-ilm[+$ whi .ch**-  offers a very d\!
iffer(ent perspec]tive -of the yout^= h generation.