心中的?@故乡

简介

　　Sy#nopsis+, [　 　Do-seong (Yoo Min) is a child monk who# liv)es at a small ]_mountain+- tem .ple wit$h the _ head monk (By$eon Ki-jong), learning the teachi$@-\ngs of B ud=]dha. He becomes,) attached#*( to a young` widow [ (C hoi Eun-hee) wh; o com`)es)% to pray +-@at the te]m[ple, =and ?the chil!\@dless wid*-
ow*  en \+)tr_=?\ea@ts+! the head monk to let h,er,@ @rai(s:[e +@Do-s*eong as her own son. Conflic%/t!\ ensues when Do/_-se.on/)g&#39s $real m`$%other @?(Kim #Seon-young) a@ p[pears, but she) leaves =t$h
e ]temp\:le for the sak*e  of]#: her son's
- future. On the day t%?he wido%*w is to t %= ak^e the chi(l$d )down ?from the mount+!ai *_n, *th
e hea d
monk 
disco ::vers that:. Do-seo.%_ng ha$.s killed a bird by e(,%/=nsnaringit 
in a trap ^!an %)#d^; _deci:]de!_s !,no# t to let the boy go into the_:/ =[ secular wor* \ld. Wh-en_  Do-seo(-ng fi:= ?n ds ou`*@t@] th(:;`at his rea!-
l mothe%:$#r has .=#be)]en t$o the temple, he=- s \ets out to find h/er$`@[.　+(-　Notes　　"A film th+-at!, ha )s ga r[[,nered re`cogniti;%on  f#or i)`(=ts cinem](;atography a.[`n:d dir`ection by elim@inating ]-sentimentalit[y; and unaf,fec,tedly c_^_`apturin+%g the quiet l^=^i fe of a mou /-ntai(n temp(le/!. ` A Hometown in Heart demonstrat\=e)-s t,`he  * camera technique and  %dir`e/?ctori-al[+` skill ?=o%=(]f movies that ap:p ]eared after t he=+ li)beration[ of Korea."^　　A Hometown
@-in Heart, adapt+ed fr+om play(^wright H@am Se
-d:e)-ok&.
-#39s A L `ittle Monk (Dong-(?seung), w(=as hail!e d u-@/ ?p^ on!
its re:lease as &quota ma^(sterpie.#(ce that];! marked a )new p_@
?i_^n?!nacle in Korean moviemakin)g a,$fter the
! `liberation." E -s @chewing new]-`=sc?.hool sen.[timentality t+_!o; ;-,quietly*^ express a boy[,&;.-\#3=9s longing fo#* r materna.+!l l=]ove, the= film unfolds! $the ev.=er(*yd--ay(; live)`!+s of three gen,.*eration,-sthe hea]$d monk, a young ^(mo
nk, a.nd a li.=!ttle c_^%hild monkagainst the /b_ ?ackdrop *\of `a quiet temple in the mounta= ins. Th?e long shots utilized by -$ director of cinem@(atography Ha!n Hyung-mo to capture t?he -+bea`?@utif*`;ul- scene_%:ry of ^th` e m$\)ountain templ#e from a !  dis! tance,^ recei#!ved great critical ac-c;laim a#%`t the time!/. `+?Al/so`,#, each o]^f- the film%%)'s$, characters is c\onvinc#):i#!_ng*ly*, po:$rtrayed through the ski/.llful direction of .^+Yoon Yong--k- )y[u`$ . In _particu`la.!r, the sce`ne +whic?+^h expres\ ses  Do-seong/,'s /^despe)rat e yearning f%,@or a mother's love ?and his b  ?irth mother&#=\:39s pa\$_st visit t]o)$ the temple b;/y c=o#\mbining the`([m into a dream seq^*`uence re vea:].ls de)::,ep ` considerat\ion for ++arti/culati=ng+ stor.]y  and emotion via-` a compresse d visual ]+grammar#[- without t%end@^ing toward se^ntimen=tal%];ism. The movie&#\3 ]#9s final scene, in which *[Do-seo;!ng %)@aw a; !kens fr om his dream and sets off down the 
path in search of  #his mother,\; is both t+ouch +ing; ):;,and@ beaut`#)-iful. The +#film `:?also fea)__tures Cho@?i Eu=n-hee, in  the part ;!of the young widow who war\ mly embr )aces Do-seong with her ?love, *in one of her,%_ first ro)les.　-`-=　Af[$ terwo;rd:　　$- Lee Kang-su,+[ writing under t[=?he pseudonym of Kwak Il.#-byeon g #, first a;da`(]pt[[$ed playwright H(%+am Se-.d:.eok' s A Little  Mon :#k (Dong-seu]ng)  in;.to a scre[-enplay, *whi$c?@h was t?
hen sho^t f`or the silver scree/?_n w)it+-+h additional`] em+@!bellishments by$/ the direc_%tor.