法国性谋?杀[电影解说]

简介

　　Form (_erly, the usual UK title was THE BOGEY ?=[M^AN AND THE FRENCH MURDERS*%(.? There9s also a!
Greek video wit`]%h t?h,/e s)\?leev^e tit .^le, CALL GIRLS FOR INSPECTOR BO#GART. The@. inspec!to(r i[^s not n\\ ame/d Bog\^art, nor does he get an^%y call g]]i%rls=,:, but w:h`!o car-#=es? It['s a title !@that sell.s.?　　^_There]9 /s a kil]ler in Paris,
a(? su.icide f;r!om the Eiffel To^.wer, 
a br,=othel a#,s:\` t;)he main sett:.ing,`, insane pro,?
fessors, an eye-ball thief;$,) an /in#specto%r-$ who looks like=` H_ump]#hrey Bogart ( : f,or =$no/[ apparent [=rea)\son[;), a t.`ruly creepy ^Anita Ekberg, and`  an impres% _sive line-up of  Euro-stars. How Dick Ra;+n) ,^dall asse//mbled this cast is beyo(nd me, but he did it +. Besides Anita Ekberg, t
\her#` e's Rosalba Neri (wh?=*o+ eve?
n# sings a+ song in\ a nightclub), B /\arbara Bou)(c]^
het, +Evelyn Kraft!\\, +*Ho# %ward V @ e,rno_)*n, and  Rob-(ert S=()acchi as in!spector Po,nta$ine o- ^r Humphrey B`ogart)]. The title : !is pre-$tt(/(y accurat;e. The murders )take pl=ace duri
ng, before +o.r after ,sex in a brothel in Par:is.? In bet\.ween, % the Bogey- ]man -+snoops% a!r,ound trying to / = t]!
+
rack down the killer, but he is *@
`not too bright. You'll p )-robably h=
ave*: figur* =*@ed it ou^[t lon%g befo=re he  does.　　The) fi^lm]?,'%s.;/ pro_duce!_+r ]%was American ; D-ick Randa? ll(
who too%k+^; reside) nce in Rome i n the &$*#396- (0s but basically was whe!] re.ver t^\he deals w% here made, which _meant R $ome in the/ ' #60 \s, Bangkok and Hon !g K$o\ ng`+ i/n the ƍ0[ ;s _,;and\,!) London in the ྌs. Whilst) re%siding in Italy, he payed close at:t$@enti* ,on and -,de][;c./)i;\$ ded to ta])^ke a\) : $shot at; t_he gia,llo as well, and pro,duced ,#this pie^ce of cinem) at)ic soufflé. It's a p//e*rfec*#t examp)=%le of totall\

+.y@+[; rou(=nd*] the b!`e%nd Eur^=?o-tosh, w` ith !?_a ra:, `the _r ta-/+me execution a+@@ctua@!lly.. The dire.
\c%(tion i#(s not w)=il
(#+dly + imaginative, a$ workman's job at[ )-best\, so don'[t expect o\ ut.!+:\rage-%! ous Italian c$#raftsman:ship and st]yle (?her( \!!e, ;but some spicing-u)p in the editing by Brun ^
o Mattei.@;　　The% s= [^pecial e]ffects were-= d one by future Os@]ca-(-r-$+winne:;$/r Carlo* R a\ +mb/\aldi#@# of E\T* +\fame. I guess he .lear#ne:+d$ `]
a lot sinc\e ![^thi*_s o
.)ne.+) Of co+^urse, the presen[ce
of R%+ober.,*t Sacchi, /among some ]othe.$_;r:^ ingredie^nts :(m$ostly t_.he cas/_t) give this fi=(.lm a cer
!t@/,ai$#n weird identity of it[s own. -All togethe^ r, i#t' ;s:
` p \r*et@ $ty much ;.a p\.oor man's interpr;*e\tation of$? an It:!\a?/)lian Giallo.　　T?,@@he ]version on Mondo]@^[ Macab-%:ro&
#39 s DVD nev![e__r ex:+ is]/,ted in this -form. From var:\ious c opie?[;`s=[,%; they asse = mb`* l:_ed the longest versio!n they could p%o` ssibly paste togethe@^r. There's an E./nglish) a*udio-tr)-[ack-, but a couple of sc$enes appear/ in*= I=tal (ian wit%_h subtitles.　　imd(b+ comment